Echoing the most recent film project The Archivist, which sees an afflicted lonely figure become consumed by his own obsessions, Deleted Scene represents an unrealised stage-set. The film’s central persona enters into a series of ontological confusions – a tenet reflected in this new installation.
This teasingly recogĀnisable environĀment works to question the roles of prop and sculpture, set and scene, and in turn interrogates the tools which we use to separate fantasy from fiction and on-screen life from material being.